Friday, March 21, 2014

Harper's Bazaar INDIA March 2014

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(An excerpt from)

Harper's Bazaar INDIA, March 2014
Four international, trend-setting art curators and consultants are spearheading a movement to show Indian art in a new light
By Georgina Maddox

Director, Payal Arts International

Helming her eponymous art consultancy in New York that is dedicated to advising enthusiasts and promoting Indian talent in the US, Payal Parekh has introduced works by Raghubir Singh, Vivan Sundaram, and Atul Bhalla at international fairs like Paris Photo, and Association of International Photography Art Dealers Show. Focused on discovering young, experimental artists and established women artists whose oeuvre display a sense of the unusual, Parekh has also sold works of legendary American lensman Robert Frank and Brazilian artist-photographer Vik Muniz. “I believe that Indian photography is still an untapped gem, and as an independent art advisor, one of my main goals is to create a dialogue between India and New York. As a woman, it is also important to me to place emphasis on the achievements of women artists,” says the 35-year-old art consultant. Parekh, who started her dealings in Indian art with Indian photography for the New York-based art consultancy Sepia Eye in 2008, grew up in Baltimore, Maryland, where her mother is a painter and her parents collected antiques and objets d’art. “I spent my entire childhood living with things that were precious and beautiful. Our home was filled with antique furniture and paintings by Jatin Das and Indian miniatures,” says Parekh, who now lives on 57th street in New York City, where dealers such as Pierre Matisse and Peggy Guggenheim established their galleries. Talking about the explosion of Indian artists on the international biennial circuit, Parekh believes there is room for improvement. “I hope to develop a broader understanding of the context in which India plays a vital role in contemporary art by working with younger artists.” Parekh is currently advising Nandita Raman, a promising Indian photographer based in Brooklyn (Raman’s works are in the collection of the Snite Museum of Art, Indiana), and in the past she has supported New York-based artist Ajay Kurian, who uses electromagnets, ostrich eggs, and gobstopper candy in his works—Kurian debuted with a solo show in September 2013 at Mumbai’s Jhaveri Contemporary. This year, Parekh has her hands full with a historical project that she is putting together in Kolkata. It showcases the modern nation of India, circa 1940 to 1970, and features photographer Jayant Patel’s work that captured decisive moments involving dignitaries such as Mahatma Gandhi, British governor of Bengal, Lord Casey, and Jawaharlal Nehru.

Click here to download full article (PDF).

 
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